The royal seat is from the property of the King of Bali. It is supported by a leopard figure.
Acquisition by the museum: 1911
Acquired by: Diehl
Inv. no. 075755. Photo: Anatol Dreyer
Letter by King Ibrahim Njoya (detail)
This letter was written by King Ibrahim Njoya (ca. 1860 - 1933) in Foumban (West Cameroon). It documents an early version of Shumom, the writing system that he invented for the Bamum language.
Acquisition by the museum: 1905
Acquired by: Achenbach
Inv. no. F 54452. Photo: Anatol Dreyer
Ceremonial dance mask (detail)
The mask recalls the features of elephants, which symbolize strength. It comes from the court of a Bamileke Kingdom in West Cameroon, where it was worn by members of the elite Kuosi society. Similar equipment is still used to perform at important public ceremonies.
Acquisition by the museum: 1903
Acquired by: Zupitza
Inv. no. 032980. Photo: Dominik Drasdow
Untitled. Painting by George Lilanga (detail)
The painting is associated by the author to the sentence (in Swahili) written on the back of the piece „Hampaswi kulu / mbana ninyi ni / ndugu“ („We can't be in conflict, we are family“).
Acquired by the museum with Lotto funds: 2012
Acquired by: Rosenfeld
Inv. no. F 56370 L. Photo: Anatol Dreyer
This motorbike was made in China and personalized in Yaoundé, Cameroon.
Acquisition by the museum: 2018
Acquired by: Ferracuti/Mohamad
Inv. no. F 56422. Photo: Harald Völkl
This headdress was designed for the Ekpo secret society to perform the presence and influence of benevolent ancestors and to celebrate the positive aspects of life.
Acquisition by the museum: 1903
Acquired by: Frobenius
Inv. no. 028421. Photo: Anatol Dreyer
10 am – 6 pm
"Wo ist Afrika?" invites you to critically explore and re-evaluate contexts and narratives associated to Linden-Museum Stuttgart’s collection of artefacts from the African continent. The exhibition shows how the collections were established, how they developed over time, and which rules of classification they adhered to.
A large part of the objects on display were acquired from Cameroon, the Congo basin, Mozambique, Nigeria and Tanzania between the end of 19th and the first half of the 20th, at the height of the European "Scramble for Africa". "Wo ist Afrika?" examines stories and histories inscribed into these objects and what they can mean for us today. The exhibition opens up a space of cultural creativity, which allows the visitors to near themselves to a wider understanding of culture.
"Wo ist Afrika?" has a process-oriented approach, questioning the authority of the museum by showing a multitude of parallel narratives and asking important questions addressed to our contemporary societal cohabitation.
Karingana wa karingana is a specific expression from Mozambique that is meant to make everyone present aware that a special time to listen has come. When it is pronounced, everyone turns silent: important stories about to be told, stories with a long breath, over time and space, stories for us, stories we tell about us.
meaningful - Things and their (hi)story
Dr. Sandra Ferracuti, curator of the exhibition "Where is Africa?", presents a sculpture by the Mozambican artist Samson Makamo. Especially important for her are the personal connections she shares with Makamo, which make this object so meaningful for her.
Les séquelles de la colonisation 2, Patrimoine africain et ses conflits en Europe
The performance by Cameroonian artists Raoul Zobel Tejeutsa ("Snake") and Stone Karim Mohamad ("Stone"), which deals with African heritage in Europe, was conceived for the exhibtion and filmed in the museum in 2018. The trailer shows excerpts from the performance, which can be seen in its full length in the exhibition.
Collections online offers you open virtual access to the holdings of the Linden Museum Stuttgart. Here you will find detailed information, interesting stories and background information on objects and cultures from all over the world.
The exhibition is supported by: